Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 3
... fact that life has leading characters , plots , morals to be pointed , lessons to be learned , and most of all ... facts , although in the process the orga- nizing and clarifying power of art was forgone , and fiction was at the point of ...
... fact that life has leading characters , plots , morals to be pointed , lessons to be learned , and most of all ... facts , although in the process the orga- nizing and clarifying power of art was forgone , and fiction was at the point of ...
Page 152
... fact and experience , " Sukenick writes , " but what excites me here— what I feel most energy flowing from — is that the experience is direct experience , the author's presumably factual experience in- teracting with the fact of history ...
... fact and experience , " Sukenick writes , " but what excites me here— what I feel most energy flowing from — is that the experience is direct experience , the author's presumably factual experience in- teracting with the fact of history ...
Page 191
... fact , " all that remained of the Communist movement was a sorrowful rag - dead bones displayed with a sorrowful pathos once a Mayday in the slum square of a few large cities , by a handful of poor old gaf- fers and crones as nutty as ...
... fact , " all that remained of the Communist movement was a sorrowful rag - dead bones displayed with a sorrowful pathos once a Mayday in the slum square of a few large cities , by a handful of poor old gaf- fers and crones as nutty as ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young