Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 20
... face was covered by a fine , plastic membrane . Nothing . She didn't breathe at all . Peter Prince turned away . To the window where her room faced the repeated forms of the rest of the Ma - Jo development . " No , " he said , and tried ...
... face was covered by a fine , plastic membrane . Nothing . She didn't breathe at all . Peter Prince turned away . To the window where her room faced the repeated forms of the rest of the Ma - Jo development . " No , " he said , and tried ...
Page 38
... face to face for some flicker of understanding . There was none . The last face into which she peered was Norman Mushari's . Mushari gave her a hideously inappropriate smile of greed and fornication " ( p . 67 ) . 99 Among the ...
... face to face for some flicker of understanding . There was none . The last face into which she peered was Norman Mushari's . Mushari gave her a hideously inappropriate smile of greed and fornication " ( p . 67 ) . 99 Among the ...
Page 106
... Faces broke . Charts of age . Worn thru , to see black years . Bones in iron faces . Steel bones . Cages of decay . Cobblestones are wet near the army stores . Beer smells , Saturday . To now , they have passed so few lovely things ...
... Faces broke . Charts of age . Worn thru , to see black years . Bones in iron faces . Steel bones . Cages of decay . Cobblestones are wet near the army stores . Beer smells , Saturday . To now , they have passed so few lovely things ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young