Literary Disruptions: The Making of a Post-contemporary American Fiction |
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... Death of the Novel 1 ONE Kurt Vonnegut , Jr. 33 TWO Donald Barthelme 62 THREE Jerzy Kosinski 82 FOUR LeRoi Jones / Imamu Baraka & James Park Sloan 102 FIVE Ronald Sukenick & Raymond Federman 119 ... Death of the Death of the Novel Fiction.
... Death of the Novel 1 ONE Kurt Vonnegut , Jr. 33 TWO Donald Barthelme 62 THREE Jerzy Kosinski 82 FOUR LeRoi Jones / Imamu Baraka & James Park Sloan 102 FIVE Ronald Sukenick & Raymond Federman 119 ... Death of the Death of the Novel Fiction.
Page 1
... Death of the Novel Fiction breeds its own continuity . Because it is the most public of the literary arts and the most immediately responsive to social life , developments of form in the American novel ... Death of the Death of the Novel.
... Death of the Novel Fiction breeds its own continuity . Because it is the most public of the literary arts and the most immediately responsive to social life , developments of form in the American novel ... Death of the Death of the Novel.
Page 180
... death . Escaping and transcending the hostile world has been a comic delight , but his final peace is tragic . Lester's death is a death of the imagination , more terrifying and consequential than simple physical death . In Wright's ...
... death . Escaping and transcending the hostile world has been a comic delight , but his final peace is tragic . Lester's death is a death of the imagination , more terrifying and consequential than simple physical death . In Wright's ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young