Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 5
... conventional ( " Lost in the Fun- house ' ) , the collection offers two others , " Ambrose His Mark " and " Water Message , " which do quite well within the older , ap- parently unexhausted forms . Moreover , the uses Barth finds in the ...
... conventional ( " Lost in the Fun- house ' ) , the collection offers two others , " Ambrose His Mark " and " Water Message , " which do quite well within the older , ap- parently unexhausted forms . Moreover , the uses Barth finds in the ...
Page 32
... conventional techniques of fiction could be revitalized in a form more forthrightly in harmony with the world's documentary nature , as James Kunen and others demonstrated in their nonfiction novels . Of everything that died in the ...
... conventional techniques of fiction could be revitalized in a form more forthrightly in harmony with the world's documentary nature , as James Kunen and others demonstrated in their nonfiction novels . Of everything that died in the ...
Page 69
... conventional epis- temology . Gathering together notes from various sources , the story attempts to tell what the man was , to put down on paper the mean- ing of his life . K. ( for Kennedy ) is observed at his desk , but the ...
... conventional epis- temology . Gathering together notes from various sources , the story attempts to tell what the man was , to put down on paper the mean- ing of his life . K. ( for Kennedy ) is observed at his desk , but the ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young