Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 24
... beginning he searches for a con- clusive middle and end , but at war with his rational impulse are the idealistic notions of the movement he is trying to describe . Al- though he recognized the conflict between his methods and their ...
... beginning he searches for a con- clusive middle and end , but at war with his rational impulse are the idealistic notions of the movement he is trying to describe . Al- though he recognized the conflict between his methods and their ...
Page 48
... beginning , God created the earth , and he looked upon it in His cosmic loneliness . And God said , “ Let Us make living creatures out of mud , so the mud can see what We have done . " And God created every living creature that now ...
... beginning , God created the earth , and he looked upon it in His cosmic loneliness . And God said , “ Let Us make living creatures out of mud , so the mud can see what We have done . " And God created every living creature that now ...
Page 145
... beginning of Sec- tion Three , " Palestine . " This part of 98.6 is hypothetical , based in part on an implied “ if ” : I wouldn't go on this way if that Arab wasn't such a lousy shot . They wouldn't tolerate this kind of writing under ...
... beginning of Sec- tion Three , " Palestine . " This part of 98.6 is hypothetical , based in part on an implied “ if ” : I wouldn't go on this way if that Arab wasn't such a lousy shot . They wouldn't tolerate this kind of writing under ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young