Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 120
... Sukenick told interviewer Joe David Bellamy for the Chicago Review , readers no longer believed that novels told the truth ; they felt that the shab- bily concealed make - believe of fiction was a poor substitute for the more immediate ...
... Sukenick told interviewer Joe David Bellamy for the Chicago Review , readers no longer believed that novels told the truth ; they felt that the shab- bily concealed make - believe of fiction was a poor substitute for the more immediate ...
Page 128
... Sukenick to the real , artless , yet uncom- municable woods ( " So long , folks . . . I disappear around the bend ' ' ) ; he now is able to write " The Birds , " an artistic formula- tion of his Connecticut experience . All aforesaid ...
... Sukenick to the real , artless , yet uncom- municable woods ( " So long , folks . . . I disappear around the bend ' ' ) ; he now is able to write " The Birds , " an artistic formula- tion of his Connecticut experience . All aforesaid ...
Page 142
... Sukenick argues that its great advantage " over history , journalism , or any other supposedly ' factual ' kind of ... Sukenick's genius rests with his discovery that the reality we know is only a description , and that " The power of a ...
... Sukenick argues that its great advantage " over history , journalism , or any other supposedly ' factual ' kind of ... Sukenick's genius rests with his discovery that the reality we know is only a description , and that " The power of a ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young