Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 163
... Sorrentino's aesthetic is built around language itself , “ di- vorced from the image " and disavowing objective as well as subjec- tive connections , since he will not allow his egoism to impose a lie on what is " true chaos . " Beware ...
... Sorrentino's aesthetic is built around language itself , “ di- vorced from the image " and disavowing objective as well as subjec- tive connections , since he will not allow his egoism to impose a lie on what is " true chaos . " Beware ...
Page 165
... Sorrentino's mentor , and the two sides of their correspondence are well documented in each author's papers . 17 " Williams once wrote me that he was glad that I was working steadily again , " Sorrentino remarked when he began a five ...
... Sorrentino's mentor , and the two sides of their correspondence are well documented in each author's papers . 17 " Williams once wrote me that he was glad that I was working steadily again , " Sorrentino remarked when he began a five ...
Page 166
... Sorrentino as aficionados . The move to innovative literature was obvious : " Certainly , " argues Sorrentino , " the chances are that a young man , who in 1945 didn't ' dig Dizzy , ' would never in 1955 read Charles Olson . " 21 And ...
... Sorrentino as aficionados . The move to innovative literature was obvious : " Certainly , " argues Sorrentino , " the chances are that a young man , who in 1945 didn't ' dig Dizzy , ' would never in 1955 read Charles Olson . " 21 And ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young