Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 119
... Ronald Sukenick and Raymond Federman , have published the most straight academic writing and so offer the highest profile of theory behind such works . The questions asked by fictionists of their style " with what tenable attitude may ...
... Ronald Sukenick and Raymond Federman , have published the most straight academic writing and so offer the highest profile of theory behind such works . The questions asked by fictionists of their style " with what tenable attitude may ...
Page 142
... Ronald Sukenick brings to life , proving what an unexhausted novel- ist can do . In 1973 Sukenick and Federman each completed new novels . Proving that fiction was not at all exhausted , both 98.6 and Take It or Leave It 41 were the ...
... Ronald Sukenick brings to life , proving what an unexhausted novel- ist can do . In 1973 Sukenick and Federman each completed new novels . Proving that fiction was not at all exhausted , both 98.6 and Take It or Leave It 41 were the ...
Page 240
... Ronald , Wallace Ste- vens Sukenick , Ronald , 2 , 3 , 19 , 119-153 , 166 , 169 , 188 , 194 ; " The Birds , " 128 , 134-135 ; The Death of the Novel and Other Stories , 124-128 ; " The Death of the Novel , " 120 , 126-127 , 128 ...
... Ronald , Wallace Ste- vens Sukenick , Ronald , 2 , 3 , 19 , 119-153 , 166 , 169 , 188 , 194 ; " The Birds , " 128 , 134-135 ; The Death of the Novel and Other Stories , 124-128 ; " The Death of the Novel , " 120 , 126-127 , 128 ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young