Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 85
... Kosinski produces art more life- like than life itself . Moreover , he writes in English , a language only recently acquired . " A writer who writes in an accepted language which he has learned as an adult , " Kosinski says in a passage ...
... Kosinski produces art more life- like than life itself . Moreover , he writes in English , a language only recently acquired . " A writer who writes in an accepted language which he has learned as an adult , " Kosinski says in a passage ...
Page 87
... Kosinski chooses a narrator who " draws up not simply an adult's catalogue of tidy facts , but spills out the ... Kosinski's first novel is the ar- tistic probing of ideas not completely expressed in his social studies . The same ...
... Kosinski chooses a narrator who " draws up not simply an adult's catalogue of tidy facts , but spills out the ... Kosinski's first novel is the ar- tistic probing of ideas not completely expressed in his social studies . The same ...
Page 95
... Kosinski's first book of sociology was subtitled “ Conversa- tions with the Russians " ; it and No Third Path drew their form from the author's admittedly subjective and impressionistic " sketches " of " the style of Soviet life . " 18 ...
... Kosinski's first book of sociology was subtitled “ Conversa- tions with the Russians " ; it and No Third Path drew their form from the author's admittedly subjective and impressionistic " sketches " of " the style of Soviet life . " 18 ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young