Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 10
... James : Barth , in Lost in the Funhouse , gave us a volume of aesthetic alle- gory about the nature of fiction which is fully worthy of comparison with James and the comparison is instructive . For James , in stories like " The Lesson ...
... James : Barth , in Lost in the Funhouse , gave us a volume of aesthetic alle- gory about the nature of fiction which is fully worthy of comparison with James and the comparison is instructive . For James , in stories like " The Lesson ...
Page 31
... James Kunen for the US Quarterly , ' I said during the question period . ' I'd like to direct a question to Dr. von Braun . How do working conditions at Cape Kennedy compare to those in Nazi Germany when you developed the V - 2 robot ...
... James Kunen for the US Quarterly , ' I said during the question period . ' I'd like to direct a question to Dr. von Braun . How do working conditions at Cape Kennedy compare to those in Nazi Germany when you developed the V - 2 robot ...
Page 113
... James Park Sloan wrote a war novel — the first signifi- cant novel about the Vietnam experience , by necessity an ... James Kunen in Standard Operating Procedure , Sloan finds that there are many 19 James Park Sloan , War Games ( Boston ...
... James Park Sloan wrote a war novel — the first signifi- cant novel about the Vietnam experience , by necessity an ... James Kunen in Standard Operating Procedure , Sloan finds that there are many 19 James Park Sloan , War Games ( Boston ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young