Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 68
... Barthelme's fiction . It includes discussions of " " the " blanketing " effect of or- dinary language , ' the part of language which " fills in " between " That part , we are told , " the " filling " you might say , of which the ...
... Barthelme's fiction . It includes discussions of " " the " blanketing " effect of or- dinary language , ' the part of language which " fills in " between " That part , we are told , " the " filling " you might say , of which the ...
Page 74
... Barthelme's fictions reju- venate the presentation of content . In this respect one notes that Barthelme's harshest critique of a fellow novelist is that he is " tired , " that " the feeling of terror Mr. Greene could once produce from ...
... Barthelme's fictions reju- venate the presentation of content . In this respect one notes that Barthelme's harshest critique of a fellow novelist is that he is " tired , " that " the feeling of terror Mr. Greene could once produce from ...
Page 97
... Barthelme's ) argues a more problematic case of the individual and the world , especially in The Devil Tree , which presents an American charac- ter's struggle with his country's unique existence . Jonathan James Whalen is determined by ...
... Barthelme's ) argues a more problematic case of the individual and the world , especially in The Devil Tree , which presents an American charac- ter's struggle with his country's unique existence . Jonathan James Whalen is determined by ...
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actual American artist August Barth Barthelme Barthelme's become beginning better Bird characters City close collective comes complete conventional create critics death described disruption edition essay exist experience expression face fact Fall Federman feeling fiction finally follow in parentheses going hand happened House human imagination Innovative Interview James Jerzy John Jones June Klinkowitz Kosinski Kurt Vonnegut language leave literary literature live look Lost March meaning Metafiction moves never night Notes novel novelist once Painted person play political possible present Press produce protagonist published reader reality Review Richard Robert Ronald Ronald Sukenick seems sense simply social Sorrentino story structure Subsequent references follow Sukenick tells things tion truth turn University White whole writing York Yorker young