Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 94
... protagonist's experience precedes the woman's , he must himself disappear before she can exist as a self , as he has ex- isted with her . 17 Once again , survival is a solitary experience , and acting is possible only when one does not ...
... protagonist's experience precedes the woman's , he must himself disappear before she can exist as a self , as he has ex- isted with her . 17 Once again , survival is a solitary experience , and acting is possible only when one does not ...
Page 115
... protagonist and his " separate war " are saved by his new boss , Col. Rachow , who has authored the army manual ... protagonist's behavior because he can articulate many of the young soldier's feelings about the unreal war against ...
... protagonist and his " separate war " are saved by his new boss , Col. Rachow , who has authored the army manual ... protagonist's behavior because he can articulate many of the young soldier's feelings about the unreal war against ...
Page 148
... protagonist as in Double or Nothing ) on a thirty - day leave from the army . Federman uses a similar typograph- ical play and sexual thematics to plot his character's ideal : AMERICA - I was going to cross it from one end to the other ...
... protagonist as in Double or Nothing ) on a thirty - day leave from the army . Federman uses a similar typograph- ical play and sexual thematics to plot his character's ideal : AMERICA - I was going to cross it from one end to the other ...
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Common terms and phrases
actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young