Literary Disruptions: The Making of a Post-contemporary American Fiction |
From inside the book
Results 1-3 of 47
Page 4
... never get out of the funhouse . " 11 And so his protagonist Ambrose doesn't , never getting into it in the first place . But in Lost in the Funhouse ( 1968 ) Barth had pushed on into the realm of fiction which his Atlantic essay alleged ...
... never get out of the funhouse . " 11 And so his protagonist Ambrose doesn't , never getting into it in the first place . But in Lost in the Funhouse ( 1968 ) Barth had pushed on into the realm of fiction which his Atlantic essay alleged ...
Page 58
... never get very far from this planet , no matter how much money we spend . So we had better stop treating the planet as though it were a disposable item to be used up and thrown away . It means , too , that , no matter how far we may ...
... never get very far from this planet , no matter how much money we spend . So we had better stop treating the planet as though it were a disposable item to be used up and thrown away . It means , too , that , no matter how far we may ...
Page 142
... never get too far away from it never forget they're going back into it . Lesson of the pyramids pressing down . Death is power . Only those who know it can survive and then only for a while no escape . " This is Frankenstein . It was 39 ...
... never get too far away from it never forget they're going back into it . Lesson of the pyramids pressing down . Death is power . Only those who know it can survive and then only for a while no escape . " This is Frankenstein . It was 39 ...
Other editions - View all
Common terms and phrases
actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young