Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 91
... follow of this Masquerade . ” The perils of the self , and the artistic exploitation of that peril , continue ... follow in parentheses . forty apparently disconnected episodes ( structured in the manner of Jerzy Kosinski 91.
... follow of this Masquerade . ” The perils of the self , and the artistic exploitation of that peril , continue ... follow in parentheses . forty apparently disconnected episodes ( structured in the manner of Jerzy Kosinski 91.
Page 107
... following stories - more properly " chapters ” —Jones's protagonist assumes several different identities as he searches for his ... follow in parentheses . " No , no , the utmost share / Of LeRoi Jones / Imamu Baraka & James Park Sloan 107.
... following stories - more properly " chapters ” —Jones's protagonist assumes several different identities as he searches for his ... follow in parentheses . " No , no , the utmost share / Of LeRoi Jones / Imamu Baraka & James Park Sloan 107.
Page 194
... follow in parentheses . 34 William H. Gass , Fiction and the Figures of Life ( New York : Knopf , 1970 ) , p . 8 . Subsequent references follow in parentheses . claims a greater vitality for this new genre because it LITERARY ...
... follow in parentheses . 34 William H. Gass , Fiction and the Figures of Life ( New York : Knopf , 1970 ) , p . 8 . Subsequent references follow in parentheses . claims a greater vitality for this new genre because it LITERARY ...
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actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young