Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 154
... finally , not real , however tangible it once seemed to me . I have found that time , even if it will not offer much more than a place to die in , nonetheless carries one on , away from this or any other island . " 1 Creeley finds his ...
... finally , not real , however tangible it once seemed to me . I have found that time , even if it will not offer much more than a place to die in , nonetheless carries one on , away from this or any other island . " 1 Creeley finds his ...
Page 200
... finally accepted as his thesis ) , Vonnegut applies his professional discipline throughout Slapstick . Human beings seem to him like great , simple apes ( the theory taught at Chicago in the 1940's ) , who can be prevented from doing ...
... finally accepted as his thesis ) , Vonnegut applies his professional discipline throughout Slapstick . Human beings seem to him like great , simple apes ( the theory taught at Chicago in the 1940's ) , who can be prevented from doing ...
Page 224
... finally a cacophony of pure linguistics - but even then stray words and phrases from this mélange pop up in Lamont's narrative . Finally , in Flann O'Brien fashion , Lamont's narrator slips away from the story and makes entries in his ...
... finally a cacophony of pure linguistics - but even then stray words and phrases from this mélange pop up in Lamont's narrative . Finally , in Flann O'Brien fashion , Lamont's narrator slips away from the story and makes entries in his ...
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actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young