Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 142
... experience . " The wealth of that response has been his aim since Up , through the efforts to capture the truth of experience in The Death of the Novel and Other Stories , and most recently Out . While others would let fiction die ...
... experience . " The wealth of that response has been his aim since Up , through the efforts to capture the truth of experience in The Death of the Novel and Other Stories , and most recently Out . While others would let fiction die ...
Page 152
... experience . " Again we get a collage of fact and experience , " Sukenick writes , " but what excites me here- what I feel most energy flowing from — is that the experience is direct experience , the author's presumably factual ...
... experience . " Again we get a collage of fact and experience , " Sukenick writes , " but what excites me here- what I feel most energy flowing from — is that the experience is direct experience , the author's presumably factual ...
Page 221
... experience that experience is finally all we have , no more or less valuable than the record of a Charlie Parker solo or a Jackson Pollock drip painting . Words refer to the author's experience in the world only as he commits it to the ...
... experience that experience is finally all we have , no more or less valuable than the record of a Charlie Parker solo or a Jackson Pollock drip painting . Words refer to the author's experience in the world only as he commits it to the ...
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actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young