Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 120
... Sukenick told interviewer Joe David Bellamy for the Chicago Review , readers no longer believed that novels told the truth ; they felt that the shab- bily concealed make - believe of fiction was a poor substitute for the more immediate ...
... Sukenick told interviewer Joe David Bellamy for the Chicago Review , readers no longer believed that novels told the truth ; they felt that the shab- bily concealed make - believe of fiction was a poor substitute for the more immediate ...
Page 121
... Sukenick also goes to the roots , using Orwell ( " The worst thing is the cold . I've always hated being cold ... Sukenick " toward a supreme fiction which adequately handles the real . As a critic , the actual Sukenick sees the same ...
... Sukenick also goes to the roots , using Orwell ( " The worst thing is the cold . I've always hated being cold ... Sukenick " toward a supreme fiction which adequately handles the real . As a critic , the actual Sukenick sees the same ...
Page 142
... Sukenick argues that its great advantage " over history , journalism , or any other supposedly ' factual ' kind of ... Sukenick's genius rests with his discovery that the reality we know is only a description , and that " The power of a ...
... Sukenick argues that its great advantage " over history , journalism , or any other supposedly ' factual ' kind of ... Sukenick's genius rests with his discovery that the reality we know is only a description , and that " The power of a ...
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actual American artist August Barth Barthelme Barthelme's become begins better characters City collective comes complete Contemporary conventional create critics culture dead death described disruptive Donald Donald Barthelme edition essay existence experience expression face fact Fall Father February Federman feeling fiction finally follow follow in parentheses going hand happened House human imagination Innovative Interview January Jerzy Kosinski John Journal June Kurt Vonnegut language literary Literature live look Magazine major March meaning Metafiction moves never night Notes novel novelist October once Painted Bird person play political possible present Press protagonist publication published reader reality Review Robert Ronald Sukenick seems sense September simple social Sorrentino story structure Studies Subsequent references Sukenick takes tell things tion truth turn University White writing York Yorker young