road, and repeated the time-honored invocation: "Ef I'm a-goin' ter marry a young man, whist e, Bird, whistle. Ef I'm a-goin' ter marry an old man, low, Cow, low. Ef I ain't a-goin' ter marry nobody, knock, Death, knock." There was a prolonged silence in the matutinal freshness and perfume of the woods. She raised her head, and listened attentively. No chirp of half-awakened bird, no tapping of wood-pecker or the mysterious death-watch; but from far along the dewy aisles of the forest, the, ungrateful Spot that Clarsie had fed more faithfully than herself, lifted up her voice, and set the echoes vibrating. Clarsie, however, had hardly time for a pang of disappoint ment. While she still knelt among the azaleas, her large deerlike eyes were suddenly dilated with terror. From around the curve of the road came the quick beat of hastening footsteps, the sobbing sound of panting breath, and between her and the sinking moon there passed an attenuated onearmed figure, with a pallid sharpened face, outlined for a moment on its brilliant disk, and dreadful starting eyes, and quivering open mouth. It disappeared in an instant among the shadows of the laurel, and Clarsie, with a horrible fear clutching at her heart, sprang to her feet. the ghost stood before her. She could not nerve herself to run past him, and he was directly in her way homeward. “Ye do ez ye air bid, or it'll be the worse for ye," said the "harnt" in a quivering shrill tone. "Thar's hunger in the nex' worl' ez well ez in this, an' ye bring me some vittles hyar this time ter-morrer, an' don't ye tell nobody ye hev seen me, nuther, or it'll be the worse for ye.” The next morning, before the moon sank, Clarsie, with a tin pail in her hand, went to meet the ghost at the appointed Morning was close at the leaves fell into abrupt place. hand. commotion, and he was standing in the road, beside her. He did not speak, but watched her with an eager, questioning intentness, as she placed the contents of the pail upon the moss at the roadside. "I'm a-comin' agin ter-morrer," she said, gently. Then she slowly walked along her misty way in the dim light of the coming dawn. There was a footstep in the road behind her; she thought it was the ghost once more. She turned, and met Simon Burney, face to face. His rod was on his shoulder, and a string of fish was in his hand. "Ye air a-doin' wrongful, Clarsie," he said sternly. "It air agin the law fur folks ter feed an' shelter them ez is a-runnin' from jestice. An' ye'll git yerself inter trouble. Other folks will find ye out, besides me, an' then the sheriff 'll be up hyar arter ye." This prospect was infinawful doom which follows The tears rose to Clarsie's eyes. itely more terrifying than the the horror of a ghost's speech. "I can't help it," she said, however, doggedly swinging the pail back and forth. "I can't gin my consent ter starvin' of folks, even if they air a-hidin' an' a-runnin' from jestice." DANSKE DANDRIDGE. 1859= MRS. DANDRIDGE was born in Copenhagen, when her father, Honorable Henry Bedinger, was minister to Denmark. In 1877 she was married to Mr. Stephen Dandridge of Shepherdstown, West Virginia. Her first name, Danske, is the pretty Danish word for Dane, and is pronounced in two syllables. WORKS. Joy, and other Poems. Mrs. Dandridge's poems are as dainty and airy as if the elves themselves had led her to their bowers and discovered to her their secrets; and this is truly what her poetic sense has done, for the poet is a seer and singer of the secrets of nature. THE SPIRIT AND THE WOOD SPARROW. (From Joy, and other Poems.*) 'Twas long ago: The place was very fair; And from a cloud of snow A spirit of the air I think is only known to God. Because of beauty freshly made Then grew the smiling to a song, Upon a moonbeam-wired cithole Shaped like a soul. There was no ear Or far or near, Save one small sparrow of the wood, That song to hear. This, in a bosky tree, Heard all, and understood As much as a small sparrow could By sympathy. 'Twas a fair sight That morn of Spring, When on the lonely height, * By permission of the author, and publishers, G. P. Putnam's Sons, N. Y. The spirit paused to sing, Then through the air took flight Still lilting on the wing. Who all had heard, Straightway began To practice o'er the lovely strain; Again, again; Though indistinct and blurred, He tried each word, Until he caught the last far sounds that fell Now when I hear that song, Which has no earthly tone, My soul is carried with the strain along To the everlasting Throne; To bow in thankfulness and prayer, And gain fresh faith, and love, and patience, there. AMELIE RIVES CHANLER. 1863-—. MRS. CHANLER, or AMÉLIE RIVES as she still styles herself in writing, was born in Richmond, Virginia, but passed her early life at the family place in Albemarle County, called "Castle Hill." She is a granddaughter of William Cabell Rives, once minister to France and author of "Life of Madison"; and her grandmother, Mrs. Judith Walker Rives, was a woman of much ability, and left some writings entitled "Home and the World," and "Residence in Europe." She was married in 1888 to Mr. John Armstrong Chanler of New York and has since spent much time in Paris, studying painting for which she has as great fondness as for writing. Her first stories were written in the style of the time of Shakspere; the best of them is "Farrier Lass o' Piping Pebworth." They created a sensation as they came out and were said to be the work of a girl under twenty. She has also written stories of Virginia life and of modern times; besides poems, and dramas, in which last her talents seem to reach a higher plane than in any other kind of writing. Gilman was driving along one of the well-kept turnpikes that wind about the Warm Springs Valley. He recognized the austere and solemn beauty that hemmed him in from the far-off outer world; but at the same time he was contrasting it with the sea-coast of his native State, Massachusetts, and a certain creeping homesickness began to rise about his heart. In addition to this, he had left his delicate wife suffering with an acute neuralgic headache, and also saddened by a yearning for the picturesque old farm-house in which he had been born, and where they had lived during the first year of marriage. The trap which Gilman drove was filled with surveying instruments, and, as he turned into the rough mountain road, which led towards the site of the new railway for which he was now prospecting, the smaller ones * By permission of the author, and publishers, the Town Topics Publishing Co., N. Y, |