Proceedings of the British Academy, Volume 97 |
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Page 36
... line to fit the forme ( lines 372 , 432 , 678 , 1068 ) , and two ( lines 834 and 876 ) have no relation to the syntax . The comma which ends line 834 ( ' cry so , ' ) is probably the result of eyeskip from the line above ( ' wo , wo ...
... line to fit the forme ( lines 372 , 432 , 678 , 1068 ) , and two ( lines 834 and 876 ) have no relation to the syntax . The comma which ends line 834 ( ' cry so , ' ) is probably the result of eyeskip from the line above ( ' wo , wo ...
Page 47
... lines raise practical problems of stress , emphasis , and sense which invite exploration of embedding the poem in a variety of possible dramatic scenarios . Its opening line probably means chiefly ' I will not acknowledge that there are ...
... lines raise practical problems of stress , emphasis , and sense which invite exploration of embedding the poem in a variety of possible dramatic scenarios . Its opening line probably means chiefly ' I will not acknowledge that there are ...
Page 61
... lines 269–72 , in Orgel and Strong , Inigo Jones , p . 270 . OED , s.v. ' Paramour ' sb . 2.c. and 3 . 42 43 Thomas Carew , Coelum Britannicum , lines 1126–38 , in Orgel and Strong , Inigo Jones , p . 580 . 44 William Davenant , The ...
... lines 269–72 , in Orgel and Strong , Inigo Jones , p . 270 . OED , s.v. ' Paramour ' sb . 2.c. and 3 . 42 43 Thomas Carew , Coelum Britannicum , lines 1126–38 , in Orgel and Strong , Inigo Jones , p . 580 . 44 William Davenant , The ...
Contents
Lectures | 1 |
Life and Work in Shakespeares Poems | 15 |
The Poetry of the Caroline Court | 51 |
Copyright | |
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