Proceedings of the British Academy, Volume 97 |
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Page 157
... Renaissance , but he does not show that there was no distinction then between imitation and plagiarism , no ... Renaissance , pp . 15-16 . Plagiarism and Imitation During the English Renaissance , pp . 168–9 . Plagiarism and ...
... Renaissance , but he does not show that there was no distinction then between imitation and plagiarism , no ... Renaissance , pp . 15-16 . Plagiarism and Imitation During the English Renaissance , pp . 168–9 . Plagiarism and ...
Page 158
... Renaissance Artist as Plagiarist ' . He claims that the charge of plagiarism did not appear significantly until after the Renaissance . One may grant a premise of his , as to ' different ages ' , without granting the elisions and ...
... Renaissance Artist as Plagiarist ' . He claims that the charge of plagiarism did not appear significantly until after the Renaissance . One may grant a premise of his , as to ' different ages ' , without granting the elisions and ...
Page 160
... Renaissance audience have responded to blatant plagiarism ? Sometimes , obviously , simply as an allusion : a great deal of Renaissance art offered its patrons precisely the pleasures of recognition . 40 Hearing ' Come my Celia ' , did ...
... Renaissance audience have responded to blatant plagiarism ? Sometimes , obviously , simply as an allusion : a great deal of Renaissance art offered its patrons precisely the pleasures of recognition . 40 Hearing ' Come my Celia ' , did ...
Contents
Lectures | 1 |
Life and Work in Shakespeares Poems | 15 |
The Poetry of the Caroline Court | 51 |
Copyright | |
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