Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 1
... visual world of the Renaissance was , of course , partly based upon the surviving sculptures of antiquity , so that ' antique marbles ' were among the first eminent collectibles among the élite of western societies . And indeed the flow ...
... visual world of the Renaissance was , of course , partly based upon the surviving sculptures of antiquity , so that ' antique marbles ' were among the first eminent collectibles among the élite of western societies . And indeed the flow ...
Page 34
... visual mind that feeds on images , once merely an esoteric brief for artists had become a common expectation ( Emmer 1993 ) . The common interest of modernist art and mathematics resounded in the visualising of the fourth dimension ...
... visual mind that feeds on images , once merely an esoteric brief for artists had become a common expectation ( Emmer 1993 ) . The common interest of modernist art and mathematics resounded in the visualising of the fourth dimension ...
Page 43
... Visual Arts of our Time " in Emmer , M. ( ed . ) 1995 The Visual Mind , MIT Press . Bloch , M. ( 1991 ) " Language , Anthropology and Cognitive Science " Man ( n.s. ) 26 , no . 2 : 183-198 . Boyer , P. 1994 Cognitive Perspectives of ...
... Visual Arts of our Time " in Emmer , M. ( ed . ) 1995 The Visual Mind , MIT Press . Bloch , M. ( 1991 ) " Language , Anthropology and Cognitive Science " Man ( n.s. ) 26 , no . 2 : 183-198 . Boyer , P. 1994 Cognitive Perspectives of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Antiquity appear approach archaeology architectural artefacts artist association Avebury body bog body British Cambridge century circle clan communication concerns consider contemporary context conventional culture described designs determine discussion display early effect engagement environment example existence existential exploration expressions face field Figure function geometry given head human idea identify illustrative images important interest interpretation involved Italy knots knowledge known land landscape living London Long Long's look Mark material mathematics means Museum Nash nature original Oxford paintings particular past perspective Piper possible practice prehistoric present produced properties question reference relations relationship representation represented response ritual Roman sacred sculpture seen sense significant social space stone Stonehenge structures suggests surface theory things thinking thought understanding University Press visual walking Yolŋu