Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 11
... understanding of Australian Aboriginal prehistory . Langton and David identify an unbroken line of continuous artistic convention extending 1500 years into the past . Understanding the recent meaning of the art allows them to track back ...
... understanding of Australian Aboriginal prehistory . Langton and David identify an unbroken line of continuous artistic convention extending 1500 years into the past . Understanding the recent meaning of the art allows them to track back ...
Page 87
... understanding of Britain , once enjoyed by the ancient populace but long forgotten . This somewhat mystical understanding of landscape was in the air between the wars , as evidenced by the writings of the popular geographer Vaughan ...
... understanding of Britain , once enjoyed by the ancient populace but long forgotten . This somewhat mystical understanding of landscape was in the air between the wars , as evidenced by the writings of the popular geographer Vaughan ...
Page 103
... understanding of ' art ' ( in this context the term is used to refer to aesthetic objects ) came from the study of portraits and sculpture ultimately derived from the classical tradition of ancient Greece , c . 500 BC . It was the ...
... understanding of ' art ' ( in this context the term is used to refer to aesthetic objects ) came from the study of portraits and sculpture ultimately derived from the classical tradition of ancient Greece , c . 500 BC . It was the ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi