Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 116
... suggesting ' that Long wants to defy Picasso's dictum that " Art is what nature isn't " by fusing art and nature in a ... suggests a more rigorous theoretical approach . These I would suggest are phenomenologically based in terms of the ...
... suggesting ' that Long wants to defy Picasso's dictum that " Art is what nature isn't " by fusing art and nature in a ... suggests a more rigorous theoretical approach . These I would suggest are phenomenologically based in terms of the ...
Page 126
... suggests the need to engage with life and its rhythms at a more fundamental , potentially profound level . It is compliant with the idea of existential space which at once is ' closest to our everyday self ... [ but also ] furnishes the ...
... suggests the need to engage with life and its rhythms at a more fundamental , potentially profound level . It is compliant with the idea of existential space which at once is ' closest to our everyday self ... [ but also ] furnishes the ...
Page 146
... suggests that there may be some overarching determinant to the art work that may be produced - indeed , she argues the case very convincingly . In her final part of the text she writes : I have been insisting that the expanded field of ...
... suggests that there may be some overarching determinant to the art work that may be produced - indeed , she argues the case very convincingly . In her final part of the text she writes : I have been insisting that the expanded field of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi