Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 9
significant difference to the way that they are treated in the present . Cultural objects defined as art by Western connoisseurs achieve a status that their contemporaries do not . Art objects attract much more academic interest and ...
significant difference to the way that they are treated in the present . Cultural objects defined as art by Western connoisseurs achieve a status that their contemporaries do not . Art objects attract much more academic interest and ...
Page 144
of really engaging with the significance and reading of artefact . From an archaeological perspective , this is analogous ... significant , authoritative , containing the spirit ( geist as Hegel would have it ) of the person represented ...
of really engaging with the significance and reading of artefact . From an archaeological perspective , this is analogous ... significant , authoritative , containing the spirit ( geist as Hegel would have it ) of the person represented ...
Page 145
... significance of this mindset for both artists and archaeologists is clear . Our first question whatever we encounter ... significant , and should be regarded as such ; indeed , this underpins the possibility of offering an interpretation ...
... significance of this mindset for both artists and archaeologists is clear . Our first question whatever we encounter ... significant , and should be regarded as such ; indeed , this underpins the possibility of offering an interpretation ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Antiquity appear approach archaeology architectural artefacts artist association Avebury body bog body British Cambridge century circle clan communication concerns consider contemporary context conventional culture described designs determine discussion display early effect engagement environment example existence existential exploration expressions face field Figure function geometry given head human idea identify illustrative images important interest interpretation involved Italy knots knowledge known land landscape living London Long Long's look Mark material mathematics means Museum Nash nature original Oxford paintings particular past perspective Piper possible practice prehistoric present produced properties question reference relations relationship representation represented response ritual Roman sacred sculpture seen sense significant social space stone Stonehenge structures suggests surface theory things thinking thought understanding University Press visual walking Yolŋu