Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 22
... sculpture in a given style was common to some culture . These sculptures are all three dimensional , marble and representations of humans . The representation of the human form in these sculptures is illustrative , but somewhat ...
... sculpture in a given style was common to some culture . These sculptures are all three dimensional , marble and representations of humans . The representation of the human form in these sculptures is illustrative , but somewhat ...
Page 41
... sculptures and 11 tapestries . Today these sculptures are permanently at or near the universities at Bangor , Oxford , Cambridge , Barcelona , Harvard , Macquarie , Montana , Madison and Toronto . In 1990 , his sculpture Immortality was ...
... sculptures and 11 tapestries . Today these sculptures are permanently at or near the universities at Bangor , Oxford , Cambridge , Barcelona , Harvard , Macquarie , Montana , Madison and Toronto . In 1990 , his sculpture Immortality was ...
Page 143
... sculpture , and a critical approach which attempts to provide a broader context and interpretative framework for object and artefact . Again , the significance of this for contemporary artists ( and contemporary archaeologists , one ...
... sculpture , and a critical approach which attempts to provide a broader context and interpretative framework for object and artefact . Again , the significance of this for contemporary artists ( and contemporary archaeologists , one ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi