Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 49
... sacred Law . Not just the foreshore . We sing from the shore to where the clouds rise on the horizon . And from where the clouds rise we sing of the seaweed and of the clouds rising . Clouds always rising and raining on the ocean . And ...
... sacred Law . Not just the foreshore . We sing from the shore to where the clouds rise on the horizon . And from where the clouds rise we sing of the seaweed and of the clouds rising . Clouds always rising and raining on the ocean . And ...
Page 52
... sacred and secret of the clan waŋarr , or ancestral origins and meanings , never before revealed in public . These events involved months of negotiation between the clan leaders at their respective mission settlements and represented a ...
... sacred and secret of the clan waŋarr , or ancestral origins and meanings , never before revealed in public . These events involved months of negotiation between the clan leaders at their respective mission settlements and represented a ...
Page 59
... sacred pathways of the Ngarinyin Aboriginal people of Australia . Könemann , Köln . Haskovec , I. 1992. Mt. Gilruth ... Sacred Geography . In H Perkins and H Fink ( eds ) , Papunya Tula : Genesis and Genius , pp . 258-267 . Art Gallery ...
... sacred pathways of the Ngarinyin Aboriginal people of Australia . Könemann , Köln . Haskovec , I. 1992. Mt. Gilruth ... Sacred Geography . In H Perkins and H Fink ( eds ) , Papunya Tula : Genesis and Genius , pp . 258-267 . Art Gallery ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi