Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 17
... representation typically employed in aesthetic objects is , however , fundamentally different from the sort of representation typically used in non - aesthetic contexts . The two basic types of representation may be called semantic ...
... representation typically employed in aesthetic objects is , however , fundamentally different from the sort of representation typically used in non - aesthetic contexts . The two basic types of representation may be called semantic ...
Page 18
... representation in favour of illustration . Note that illustrative representation ought not to be confused with realistic or naturalistic representation . It is simply representation that depends on how representations look , feel or ...
... representation in favour of illustration . Note that illustrative representation ought not to be confused with realistic or naturalistic representation . It is simply representation that depends on how representations look , feel or ...
Page 19
... representations for what they can do in themselves , as opposed to what they can do as part of a ritual or similar practice , the use of illustrative representation becomes very attractive . Representations can also be valuable as a ...
... representations for what they can do in themselves , as opposed to what they can do as part of a ritual or similar practice , the use of illustrative representation becomes very attractive . Representations can also be valuable as a ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Antiquity appear approach archaeology architectural artefacts artist association Avebury body bog body British Cambridge century circle clan communication concerns consider contemporary context conventional culture described designs determine discussion display early effect engagement environment example existence existential exploration expressions face field Figure function geometry given head human idea identify illustrative images important interest interpretation involved Italy knots knowledge known land landscape living London Long Long's look Mark material mathematics means Museum Nash nature original Oxford paintings particular past perspective Piper possible practice prehistoric present produced properties question reference relations relationship representation represented response ritual Roman sacred sculpture seen sense significant social space stone Stonehenge structures suggests surface theory things thinking thought understanding University Press visual walking Yolŋu