Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 10
... question I also consider . Drawing on the work of Giaccometti , Turnbull , Fautrier and Miró , I consider the cognitive basis for artistic representation , and find its origin in the evolutionary advantage conferred on primates , and in ...
... question I also consider . Drawing on the work of Giaccometti , Turnbull , Fautrier and Miró , I consider the cognitive basis for artistic representation , and find its origin in the evolutionary advantage conferred on primates , and in ...
Page 12
... questions are addressed in this essay . The first question asks whether archaeologists can ascertain which of the objects they discover was the source of aesthetic experience in the culture that produced them . The second is concerned ...
... questions are addressed in this essay . The first question asks whether archaeologists can ascertain which of the objects they discover was the source of aesthetic experience in the culture that produced them . The second is concerned ...
Page 22
... question without first ascertaining the category to which the composition belongs . If it belongs to the category of classical sonatas , then certain harmonies are evidence of discordance . If it belongs to the class of fifteenth ...
... question without first ascertaining the category to which the composition belongs . If it belongs to the category of classical sonatas , then certain harmonies are evidence of discordance . If it belongs to the class of fifteenth ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi