Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 15
... properties . Again , properties are aesthetic properties in one culture but not in another . I propose to avoid this difficulty by identifying non - aesthetic properties that are common to aesthetic objects in all known cultures . I ...
... properties . Again , properties are aesthetic properties in one culture but not in another . I propose to avoid this difficulty by identifying non - aesthetic properties that are common to aesthetic objects in all known cultures . I ...
Page 21
... properties an object possesses simply by examining it ( Walton 1971 ) . He argues that in order to determine which aesthetic properties an object possesses one must first determine the category to which the object belongs . Each ...
... properties an object possesses simply by examining it ( Walton 1971 ) . He argues that in order to determine which aesthetic properties an object possesses one must first determine the category to which the object belongs . Each ...
Page 22
properties are the ones that items in some categories are expected to possess . So , for example , tonal harmony is a standard feature of baroque music . Contra - standard properties are those that count against membership in some ...
properties are the ones that items in some categories are expected to possess . So , for example , tonal harmony is a standard feature of baroque music . Contra - standard properties are those that count against membership in some ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi