Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 58
... present has shaped artistic practice as social practice . The art does not constitute a body of free - floating stylistic inventions , nor does it simply mirror a natural landscape that can be found outside its cultural shaping . The ...
... present has shaped artistic practice as social practice . The art does not constitute a body of free - floating stylistic inventions , nor does it simply mirror a natural landscape that can be found outside its cultural shaping . The ...
Page 62
... present in a studio and see an artist at work , when it is finished it takes on a new iconic status . It is lost , in a sense , even to its creator so fugitive is the act of carving a sculpture or cutting a gemstone ; the object made by ...
... present in a studio and see an artist at work , when it is finished it takes on a new iconic status . It is lost , in a sense , even to its creator so fugitive is the act of carving a sculpture or cutting a gemstone ; the object made by ...
Page 94
... present is his special concern and joy . The contour of things past is given the aura of things present , so the reality and the romanticism of both is intensified . ( Evans 1937 : 12 ) Nash's Landscape of the Megaliths ( Figure 4 ) ...
... present is his special concern and joy . The contour of things past is given the aura of things present , so the reality and the romanticism of both is intensified . ( Evans 1937 : 12 ) Nash's Landscape of the Megaliths ( Figure 4 ) ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi