Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 21
... possible for them to know anything of the content of this experience . In a context of radical archaeology it is far from obvious that they can . The problem is that the aesthetic response of a modern audience may not be a good guide to ...
... possible for them to know anything of the content of this experience . In a context of radical archaeology it is far from obvious that they can . The problem is that the aesthetic response of a modern audience may not be a good guide to ...
Page 33
... possible to geometric representations as transformations that were now explained in terms of connectivity between regions of space ; as with the rise of computing such transformations could be tracked , new Genetics , new biology and ...
... possible to geometric representations as transformations that were now explained in terms of connectivity between regions of space ; as with the rise of computing such transformations could be tracked , new Genetics , new biology and ...
Page 104
... possible our repertoire of sad expressions . Changes to the zygomaticus major muscle make possible the smile ( Young 1992 ) . Facial expressions , it seems ( Young 1992 ; Bruce and Young 1998 : 247- 256 ) , are important from birth ...
... possible our repertoire of sad expressions . Changes to the zygomaticus major muscle make possible the smile ( Young 1992 ) . Facial expressions , it seems ( Young 1992 ; Bruce and Young 1998 : 247- 256 ) , are important from birth ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi