Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 34
... perspective system that for centuries had portrayed the world as three- dimensional . The full impact of the visualisation of the fourth dimension was realised in mathematics only with the advent of computer modelling . Its rediscovery ...
... perspective system that for centuries had portrayed the world as three- dimensional . The full impact of the visualisation of the fourth dimension was realised in mathematics only with the advent of computer modelling . Its rediscovery ...
Page 36
... perspective that considers to be strange what may appear straightforward ( see also Boyer 1994 ) . The Art of Describing There are many potential representations of mathematical ideas that can be shown to be essential to a host of ...
... perspective that considers to be strange what may appear straightforward ( see also Boyer 1994 ) . The Art of Describing There are many potential representations of mathematical ideas that can be shown to be essential to a host of ...
Page 144
of really engaging with the significance and reading of artefact . From an archaeological perspective , this is analogous to the adoption of a post- processual perspective which is deeply suspicious of patriarchal and political ...
of really engaging with the significance and reading of artefact . From an archaeological perspective , this is analogous to the adoption of a post- processual perspective which is deeply suspicious of patriarchal and political ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi