Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 11
... original art works produced for this volume . The final version of this Introduction has benefited from the comments of Mary Chester - Kadwell who I thank for producing the cover illustration of Old Harry . Bibliography Jackson , S ...
... original art works produced for this volume . The final version of this Introduction has benefited from the comments of Mary Chester - Kadwell who I thank for producing the cover illustration of Old Harry . Bibliography Jackson , S ...
Page 13
... original cultural context , I will call it an aesthetic object . In this essay the word ' art ' will almost never appear . References to art will only confuse matters since the concept of art is found only in some cultures . Although ...
... original cultural context , I will call it an aesthetic object . In this essay the word ' art ' will almost never appear . References to art will only confuse matters since the concept of art is found only in some cultures . Although ...
Page 83
... original cultural context . Moreover , at a time when contemporary abstract art was regularly accused of being inhumane and mechanistic , prehistoric forms showed how the rigours of abstraction need not be associated with the cold ...
... original cultural context . Moreover , at a time when contemporary abstract art was regularly accused of being inhumane and mechanistic , prehistoric forms showed how the rigours of abstraction need not be associated with the cold ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi