Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 30
... mathematics ' has emerged out of the interdisciplinary work of American folklore studies ( Ascher 1991 ; Urton 1997 ; Eglash 1999 ) . It is to ... mathematical principles and its consequential abandonment of embodied 30 Art and Mathematics.
... mathematics ' has emerged out of the interdisciplinary work of American folklore studies ( Ascher 1991 ; Urton 1997 ; Eglash 1999 ) . It is to ... mathematical principles and its consequential abandonment of embodied 30 Art and Mathematics.
Page 34
... mathematicians as never before . The close relation between mathematics and art is recalled by Max Bill who famously stated : Just as mathematics provides us with a primary mode of cognition , and can therefore enable us to apprehend ...
... mathematicians as never before . The close relation between mathematics and art is recalled by Max Bill who famously stated : Just as mathematics provides us with a primary mode of cognition , and can therefore enable us to apprehend ...
Page 35
... mathematics capable of constructing innumerable logical ' paper worlds ' , and leading to radically new ideas as to the nature of mathematics itself . - Mathematics , however , continued to regard the exploration of the fourth dimension ...
... mathematics capable of constructing innumerable logical ' paper worlds ' , and leading to radically new ideas as to the nature of mathematics itself . - Mathematics , however , continued to regard the exploration of the fourth dimension ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi