Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
From inside the book
Results 1-3 of 14
Page 18
... looks , in certain relevant respects , quite like my son . Convention plays a role in illustrative representation and ... look , feel or sound rather than on a conventional association . A use of naturalism is , however , one technique ...
... looks , in certain relevant respects , quite like my son . Convention plays a role in illustrative representation and ... look , feel or sound rather than on a conventional association . A use of naturalism is , however , one technique ...
Page 21
... look vaguely like human figures but that is about all that one can say . The conclusion that they are not aesthetic objects is strongly indicated . This is precisely the conclusion that anthropologists and archaeologists have reached ...
... look vaguely like human figures but that is about all that one can say . The conclusion that they are not aesthetic objects is strongly indicated . This is precisely the conclusion that anthropologists and archaeologists have reached ...
Page 104
... look will deter one . Central to this mechanism is speed . The brain must process visual information quickly and to ... look at the face as a whole it is quicker for it to look for the relationship between key features , two eyes , above ...
... look will deter one . Central to this mechanism is speed . The brain must process visual information quickly and to ... look at the face as a whole it is quicker for it to look for the relationship between key features , two eyes , above ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
3 other sections not shown
Other editions - View all
Common terms and phrases
Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi