Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 23
... knowledge as well as valuable as a source of pleasure . While there is no way to be certain which features of an aesthetic object will make it a source of pleasure , we can know that certain features make an object a source of knowledge ...
... knowledge as well as valuable as a source of pleasure . While there is no way to be certain which features of an aesthetic object will make it a source of pleasure , we can know that certain features make an object a source of knowledge ...
Page 36
... knowledge based on individual experience is made accessible to others and that it is transferable from a situation in the past to another one in the future ; models , such as the stick charts of the Marshall islanders described by ...
... knowledge based on individual experience is made accessible to others and that it is transferable from a situation in the past to another one in the future ; models , such as the stick charts of the Marshall islanders described by ...
Page 48
... knowledge . Garma , and the garma repertoire of songs , dances and designs , while unrestricted and performed to the public , nevertheless has many sacred elements and purposes . Darra is a restricted domain of esoteric law and knowledge ...
... knowledge . Garma , and the garma repertoire of songs , dances and designs , while unrestricted and performed to the public , nevertheless has many sacred elements and purposes . Darra is a restricted domain of esoteric law and knowledge ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi