Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 29
... knots in each knot- cluster as well as by the relative placement of the knots ; all part of the logical - numerical data recording , the knots served as ' counters ' that together with colour and string packaged magnitude or ...
... knots in each knot- cluster as well as by the relative placement of the knots ; all part of the logical - numerical data recording , the knots served as ' counters ' that together with colour and string packaged magnitude or ...
Page 37
... knots an analogous space inhabited by destiny spirits whose journey shows up directions to be taken as much as a Marshall Islander's stick - chart paves the way through the ocean . The following description of procedure is taken from ...
... knots an analogous space inhabited by destiny spirits whose journey shows up directions to be taken as much as a Marshall Islander's stick - chart paves the way through the ocean . The following description of procedure is taken from ...
Page 38
... knot . Consisting of variable , abstract components , such as surfaces , bridges and links that are connected through deformations , the study of knots was chiefly of interest to mathematicians following the discovery of a clear graphic ...
... knot . Consisting of variable , abstract components , such as surfaces , bridges and links that are connected through deformations , the study of knots was chiefly of interest to mathematicians following the discovery of a clear graphic ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi