Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 104
... important . It is an ability which distinguishes us from other primate species . No other primate participates in the enormous range of social interactions that we do on a daily basis . Within the full range of possible facial ...
... important . It is an ability which distinguishes us from other primate species . No other primate participates in the enormous range of social interactions that we do on a daily basis . Within the full range of possible facial ...
Page 146
... important to map that structure and that is what we have begun to do here . But clearly , since this is a matter of history , it is also important to explore a deeper set of questions which pertain to something more than mapping and ...
... important to map that structure and that is what we have begun to do here . But clearly , since this is a matter of history , it is also important to explore a deeper set of questions which pertain to something more than mapping and ...
Page 150
... important distinction to make when one feels it important to support the idea of interdisciplinarity , and a recognition of intertextuality within practice and criticism . In discussing my own work I am also mindful of the problems of ...
... important distinction to make when one feels it important to support the idea of interdisciplinarity , and a recognition of intertextuality within practice and criticism . In discussing my own work I am also mindful of the problems of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometry Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations relationship religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi