Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 18
... illustrative representation and more of a role in some illustrations than it does in others . A picture of a walking person on a traffic signal is more conventional , and has more in common with semantic representations , than a ...
... illustrative representation and more of a role in some illustrations than it does in others . A picture of a walking person on a traffic signal is more conventional , and has more in common with semantic representations , than a ...
Page 19
... Illustrative representations can , in contrast , be used to open new perspectives , or ways of looking at things , that can have great cognitive value . Consequently , once a culture becomes interested in representations for what they ...
... Illustrative representations can , in contrast , be used to open new perspectives , or ways of looking at things , that can have great cognitive value . Consequently , once a culture becomes interested in representations for what they ...
Page 23
... illustrative representation . Illustrations represent in virtue of a similarity between experience of the object serving as a representation and the object represented . Background knowledge contributes to a person's capacity to ...
... illustrative representation . Illustrations represent in virtue of a similarity between experience of the object serving as a representation and the object represented . Background knowledge contributes to a person's capacity to ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi