Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 99
... human face dominates the world . So much so that we have galleries of art devoted to portraits . The power of the modern media is all pervasive ; nothing in the past could match its capacity for mass communication , but nevertheless the ...
... human face dominates the world . So much so that we have galleries of art devoted to portraits . The power of the modern media is all pervasive ; nothing in the past could match its capacity for mass communication , but nevertheless the ...
Page 103
... human form , albeit in an idealised style . A tradition two thousand years old takes time to change , and it was at first hard for people to accept the products of the modernist movement . But with time scientists began to appreciate ...
... human form , albeit in an idealised style . A tradition two thousand years old takes time to change , and it was at first hard for people to accept the products of the modernist movement . But with time scientists began to appreciate ...
Page 116
... human experiences for which they have been the occasion . ( 1969 : 33 ) Similarly , Forge has remarked on how Long's work ' asserts its origin in human activity and thus prepares the spectator for consideration of the " interaction ...
... human experiences for which they have been the occasion . ( 1969 : 33 ) Similarly , Forge has remarked on how Long's work ' asserts its origin in human activity and thus prepares the spectator for consideration of the " interaction ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi