Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 4
... heads , were made primarily for non - artistic purposes . The stone heads were religious objects , related to the cult of the head ( Jackson 1973 : 2 ) . The conceptual artist Robert Williams has enjoyed a lifelong fascination with ...
... heads , were made primarily for non - artistic purposes . The stone heads were religious objects , related to the cult of the head ( Jackson 1973 : 2 ) . The conceptual artist Robert Williams has enjoyed a lifelong fascination with ...
Page 103
... head ' Renfrew 2003 : 51 ) when describing a lifesize marble Cycladic head dating to the Bronze Age from the Greek island of Amorgos . It was this attitude that relegated the art of non - western and prehistoric cultures to museums of ...
... head ' Renfrew 2003 : 51 ) when describing a lifesize marble Cycladic head dating to the Bronze Age from the Greek island of Amorgos . It was this attitude that relegated the art of non - western and prehistoric cultures to museums of ...
Page 105
... heads ( Perrett et al 1982 , 1991 ; Young and Yamane 1992 , Ojemann et al 1992 ) identifying these features . Once the ... Head of a Catalan Peasant ( 1925 ) Miró employs a grid on to which he maps the features of the face ( Figure 6 ) ...
... heads ( Perrett et al 1982 , 1991 ; Young and Yamane 1992 , Ojemann et al 1992 ) identifying these features . Once the ... Head of a Catalan Peasant ( 1925 ) Miró employs a grid on to which he maps the features of the face ( Figure 6 ) ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometry Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations relationship religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi