Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 9
... example of the ' Celtic ' heads illustrates , all too apparent . In ' How little does it take to represent a face ? ' I consider the effect of influential figures on the interpretation and authentication of archaeological artefacts ...
... example of the ' Celtic ' heads illustrates , all too apparent . In ' How little does it take to represent a face ? ' I consider the effect of influential figures on the interpretation and authentication of archaeological artefacts ...
Page 17
... example will illustrate this point . During the Middle Ages in Europe , paintings and sculptures in churches were primarily valued for their ritual and communicative function . Styles of iconography during the period evolved only slowly ...
... example will illustrate this point . During the Middle Ages in Europe , paintings and sculptures in churches were primarily valued for their ritual and communicative function . Styles of iconography during the period evolved only slowly ...
Page 143
... examples of work which share characteristics familiar to Tucker , but which also encompass , for example , architectonic spaces , land art , structures , constructions , sites , marks , collections or assemblages , and more . Indeed ...
... examples of work which share characteristics familiar to Tucker , but which also encompass , for example , architectonic spaces , land art , structures , constructions , sites , marks , collections or assemblages , and more . Indeed ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi