Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 94
... engagement with prehistoric archaeology but a romantic vision of the primeval . Nash's antipathy to ' the antiquarian suggestion , ' then , is not so much a refusal to encounter archaeological thinking , but , rather , a wish to ...
... engagement with prehistoric archaeology but a romantic vision of the primeval . Nash's antipathy to ' the antiquarian suggestion , ' then , is not so much a refusal to encounter archaeological thinking , but , rather , a wish to ...
Page 132
... engages in what might be described as an archaeological dialogue with objects in her installations ( Renfrew 2003 ) . Parker ' curates ' them in the manner of artefacts , in a process of contextual engagement which is as poetic as it is ...
... engages in what might be described as an archaeological dialogue with objects in her installations ( Renfrew 2003 ) . Parker ' curates ' them in the manner of artefacts , in a process of contextual engagement which is as poetic as it is ...
Page 147
... engagement with the object , implicitly acknowledging the role of audience in reading and the forming of interpretation . For Wentworth , the object carries with it a range of phenomenal and cultural readings . The currency of the ...
... engagement with the object , implicitly acknowledging the role of audience in reading and the forming of interpretation . For Wentworth , the object carries with it a range of phenomenal and cultural readings . The currency of the ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi