Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 9
... effect is that the significance of khipu in Inca society has not yet been fully explored . In ' Art and Mathematics ' she develops Alfred Gell's concept , that images are the carriers and triggers of memory , and considers how this idea ...
... effect is that the significance of khipu in Inca society has not yet been fully explored . In ' Art and Mathematics ' she develops Alfred Gell's concept , that images are the carriers and triggers of memory , and considers how this idea ...
Page 119
... effect the ' concretization ' of an idea in the landscape through the arrangement of natural materials . He is able to determine the extent of the manifestation by controlling the visibility of the work , either by repeatedly walking in ...
... effect the ' concretization ' of an idea in the landscape through the arrangement of natural materials . He is able to determine the extent of the manifestation by controlling the visibility of the work , either by repeatedly walking in ...
Page 137
... effect on the viewer ? CP : We don't get the chance to look at people in repose or asleep , therefore this was an opportunity to examine a living person in a natural state , but in a constructed space which , in its way , protected the ...
... effect on the viewer ? CP : We don't get the chance to look at people in repose or asleep , therefore this was an opportunity to examine a living person in a natural state , but in a constructed space which , in its way , protected the ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi