Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 9
... described as mathematical , due to the application of logic to spatio - geometric configurations , is a hypothesis the implication of which we are just beginning to grasp . Küchler's understanding of the significance of mathematical ...
... described as mathematical , due to the application of logic to spatio - geometric configurations , is a hypothesis the implication of which we are just beginning to grasp . Küchler's understanding of the significance of mathematical ...
Page 36
... described by Marcia Ascher ( 2002 : 89-125 ) , or maps are one way of representing relations in space from a perspective that is not ego - centric ( Alpers 1984 ) . Such modelling of spatial relations brings to the fore an art of ...
... described by Marcia Ascher ( 2002 : 89-125 ) , or maps are one way of representing relations in space from a perspective that is not ego - centric ( Alpers 1984 ) . Such modelling of spatial relations brings to the fore an art of ...
Page 119
... described by architectonic elements ( such as walls ) , but can also be achieved through the displacement of more basic materials to give space visible shape , such as in Long's Touareg Circle ( 1988 ) ( Figure 2 ) . Therefore , certain ...
... described by architectonic elements ( such as walls ) , but can also be achieved through the displacement of more basic materials to give space visible shape , such as in Long's Touareg Circle ( 1988 ) ( Figure 2 ) . Therefore , certain ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi