Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 132
... body phenomenon . In this case , not one of those bodies exhumed and conserved as archaeological artefact and further romanticized in display , such finds as the Tollund Man , the Archaeological Review from Cambridge 19.1 2004 Grauballe ...
... body phenomenon . In this case , not one of those bodies exhumed and conserved as archaeological artefact and further romanticized in display , such finds as the Tollund Man , the Archaeological Review from Cambridge 19.1 2004 Grauballe ...
Page 133
... body was one of adoration . The first visit of the poet Seamus Heaney to view a bog body - the Tollund Man whom he had immortalized in the poem of the name - also promoted a reverential response . He has said of his journey to see him ...
... body was one of adoration . The first visit of the poet Seamus Heaney to view a bog body - the Tollund Man whom he had immortalized in the poem of the name - also promoted a reverential response . He has said of his journey to see him ...
Page 137
... body in limbo . I thought she looked rather like the body in the pre - Raphaelite painting Death of Chatterton . CF : Despite the fact she was wearing clothes , Tilda appeared vulnerable . How you choose the manner in which she was ...
... body in limbo . I thought she looked rather like the body in the pre - Raphaelite painting Death of Chatterton . CF : Despite the fact she was wearing clothes , Tilda appeared vulnerable . How you choose the manner in which she was ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi