Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 51
... association to a particular wanŋarr come together for ceremonial purposes to celebrate the sacred narrative which gave birth to them and from which their shared inheritance of sacred objects , artistic expressions , rituals , resources ...
... association to a particular wanŋarr come together for ceremonial purposes to celebrate the sacred narrative which gave birth to them and from which their shared inheritance of sacred objects , artistic expressions , rituals , resources ...
Page 84
... association with the Arts and Crafts movement , at the turn of the twentieth century , and Sorrell's with neo- Romanticism , in its middle decades , have ensured that their work belongs as much to the history of art as it does to the ...
... association with the Arts and Crafts movement , at the turn of the twentieth century , and Sorrell's with neo- Romanticism , in its middle decades , have ensured that their work belongs as much to the history of art as it does to the ...
Page 95
... association with rebirth and the Druids ' doctrine of the migration of souls . Writing about the image in 1939 , Nash found that in it he could reconcile his own needs as an artist with those of archaeology . Yet it is odd to consider ...
... association with rebirth and the Druids ' doctrine of the migration of souls . Writing about the image in 1939 , Nash found that in it he could reconcile his own needs as an artist with those of archaeology . Yet it is odd to consider ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometry Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations relationship religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi