Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 38
... approach to objects that draws on their constitution as ' manifolds ' , or internally connected images - an approach that today is visualised in the architecture of 38 Art and Mathematics.
... approach to objects that draws on their constitution as ' manifolds ' , or internally connected images - an approach that today is visualised in the architecture of 38 Art and Mathematics.
Page 62
... approach , though on the whole they seem to be those rather worried at subverting the purity of the Academic grove . Others were more encouraging . Since the publication of that volume my mind has been mainly turning to the ways in ...
... approach , though on the whole they seem to be those rather worried at subverting the purity of the Academic grove . Others were more encouraging . Since the publication of that volume my mind has been mainly turning to the ways in ...
Page 147
... approach to practice , and an interpretative approach to an engagement with the object , implicitly acknowledging the role of audience in reading and the forming of interpretation . For Wentworth , the object carries with it a range of ...
... approach to practice , and an interpretative approach to an engagement with the object , implicitly acknowledging the role of audience in reading and the forming of interpretation . For Wentworth , the object carries with it a range of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi