Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 73
... ancient Greek offering figures bringing animals to sacrifice ( criophori etc. ) , or the sacro- idyllic landscapes of Augustan pastoral art . Nor should we forget the many Roman images , especially on mosaics , of Orpheus and the ...
... ancient Greek offering figures bringing animals to sacrifice ( criophori etc. ) , or the sacro- idyllic landscapes of Augustan pastoral art . Nor should we forget the many Roman images , especially on mosaics , of Orpheus and the ...
Page 87
... ancient mother of our race ' ( Massingham 1924 : 105 ; Massingham 1936 : 24-5 ) . In his major consideration of ancient Britain , Downland Man ( 1926 ) , Massingham adopted a diffusionist viewpoint , asserting that the builders of ...
... ancient mother of our race ' ( Massingham 1924 : 105 ; Massingham 1936 : 24-5 ) . In his major consideration of ancient Britain , Downland Man ( 1926 ) , Massingham adopted a diffusionist viewpoint , asserting that the builders of ...
Page 98
... Ancient Britain and the Romantic Imagination . New Haven and London : Yale University Press . Smiles , S. 2002 ... Ancient Country : Nash and Prehistory ' in Paul Nash : Modern Artist , Ancient Landscape . Liverpool : Tate Gallery ...
... Ancient Britain and the Romantic Imagination . New Haven and London : Yale University Press . Smiles , S. 2002 ... Ancient Country : Nash and Prehistory ' in Paul Nash : Modern Artist , Ancient Landscape . Liverpool : Tate Gallery ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi