Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 14
... aesthetic objects . One might think that this criterion will be found in the form of aesthetic objects . Often the form of an object will reveal its function . The form of a knife reveals that it was used for cutting . Similarly , the ...
... aesthetic objects . One might think that this criterion will be found in the form of aesthetic objects . Often the form of an object will reveal its function . The form of a knife reveals that it was used for cutting . Similarly , the ...
Page 15
... objects another culture regards as aesthetic properties . Again , properties are aesthetic properties in one culture but not in another . I propose to avoid this difficulty by identifying non - aesthetic properties that are common to ...
... objects another culture regards as aesthetic properties . Again , properties are aesthetic properties in one culture but not in another . I propose to avoid this difficulty by identifying non - aesthetic properties that are common to ...
Page 16
In contrast , aesthetic objects are quite various . In the Renaissance , when we know that paintings and sculptures were appreciated as aesthetic objects , variety becomes the rule . Paintings are not limited to religious subjects ...
In contrast , aesthetic objects are quite various . In the Renaissance , when we know that paintings and sculptures were appreciated as aesthetic objects , variety becomes the rule . Paintings are not limited to religious subjects ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometry Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations relationship religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi